Erinaceus Creative Commons License 2008.06.25 0 0 543

a cikkből kiderül, ez a BS 8 egy DUPLA LEMEZ lesz (!!!):

 

Jeff Rosen gave Sony permission to choose material for a chronological double album out of no less than fifty unreleased songs. The result is baffling: more than fifteen tracks are brand new, four sound better in their alternate takes than in the original, and some obscure covers tell a lot about Dylan the transmitter of folk roots.
The Bootleg Series 8 starts with five outtakes from the Oh mercy sessions. ... What we didn’t hear on the album as it was released are the solo piano versions of unreleased songs like ‘Dignity’ and ‘God knows’. Dylan sounds particularly concentrated and relaxed.
The follow up Under the red sky was marred by a cold Dan Was production, but it was Dylan who convinced Was not to release some much better takes on known material. For instance the original version of ‘TV Talking Song’ now sounds like a caustic protest song.
More fascinating still is an entirely unreleased studio album from 1992. ... Bromberg ... project blown off ... Yet gospel tinged tracks like ‘Polly Vaughn’ and ‘Rise Again’ show an utterly enthousiastic performer ...
... Good as I been to you... World gone wrong. Some of the (incomprihensibly) left off songs from these two albums are on the new Bootleg Series, among whom a heart-rending interpretation of Robert Johnson’s ‘32.20 Blues’.
... second cd of BS8, the highlight ... starts of with legendary Time out of mind sessions. ...
‘Girl from the red river shore’ is probably the most impressive Dylan has written in recent years. The ghost ballad is an epical track in which Jim Dickinson and Duke Robillard harshly try to counter Dylans hallucinating ghost voice. During repetitions Dylan also unearthed a modest verion of Elisabeth Cottons ’Shake Sugaree’. And this Bootleg Series also brings for the first time the original and much better take of the epical ‘Mississippi’.
... the complete version of ‘Cross the green mountain’. Lastly two demo’s of ‘Modern times’ that prove how driven and precise Dylan is in the studio these days.