![](https://img.index.hu/imgfrm/4/9/0/8/THM_0000534908.jpg)
Vase Number
203944
Fabric
ATHENIAN
Technique
RED-FIGURE
Shape Record
CUP
Provenance
ITALY, CAPUA
Date
500 BC to 450 BC
Attributed To
BRYGOS P by FURTWANGLER
Attributed To
DOKIMASIA P by BEAZLEY
Decoration
A,B: KOMOS, YOUTHS AND MEN, WITH CUPS, SKYPHOS, POINTED AMPHORA, OINOCHOE, PLAYING LYRE, SOME AT KRATER,
Decoration
I: KOMOS, DRAPED MAN VOMITING, YOUTH, BASIN
Decoration
A,B: (continued) WOMAN AND YOUTH PLAYING PIPES
Current Collection
2: Berlin, Antikensammlung: F2309
Previous Collection
1: Berlin, Schloss Charlottenburg: F2309
Publication Record
Seki, T., Untersuchung zum Verhaltnis von Gefassform und Malerei attischer Schalen (Berlin, 1985): PL.40.1-3 (I,A,B, UNDERNEATH)
Publication Record
Ruhfel, H., Das Kind in der Griechischen Kunst (Mainz, 1984): 66, FIG.38 (I)
Publication Record
Archaologischer Anzeiger: 1984, 396, FIG.1 (A)
Publication Record
La Cite des Images, Religion et Societe en Grece Antique (Lausanne, 1984): 122, FIG.170 (I,A,B)
Publication Record
Scheibler, I., Griechische Topferkunst, Herstellung, Handel und Gebrauch der antiken Tongefasse (Munich, 1983): 63, FIG.60 (I)
Publication Record
Gehrig, U., Greifenhagen, A., and Kunisch, H., Fuhrer durch die Antikenabteilung (Berlin, 1968): PLS.73, 76 (I,A)
Publication Record
Himmelmann, N., Archaologisches zum Problem der Sklaverei (Mainz, 1971): 25, FIG.32 (I)
Publication Record
Boardman, J., Athenian Red Figure Vases (London, 1975): FIG.275 (A, PART OF B)
Publication Record
Corpus Vasorum Antiquorum: BERLIN, ANTIQUARIUM 3, 19, PL.(1055) 126.2.4
Publication Record
Prospettiva Rivista dell' arti antica e moderna (Siena): 89-90 (JANUARY-APRIL 1998) 75, FIG.2 (I)
Publication Record
Corpus Vasorum Antiquorum: BERLIN, ANTIQUARIUM 2, 24-25, PLS.(998,999) 69.1-4, 70.1-2
Publication Record
Beazley, J.D., Paralipomena (Oxford, 1971): 366, 372.11BIS
Publication Record
Peschel, I., Die Hetare bei Symposium und Komos in der attisch rotfigurigen Malerei des 6.-4. Jhs. v.Chr. (Frankfurt, 1987): PL.120 (A, B)
Publication Record
Burn, L., and Glynn, R., Beazley Addenda (Oxford, 1982): 112
Publication Record
Carpenter, T.H., with Mannack, T., and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 233
Publication Record
Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 373.46, 1649, 1701
Publication Record
Scheibler, I., Griechische Topferkunst, Herstellung, Handel und Gebrauch der antiken Tongefasse, 2nd ed. (Munich, 1995): 63, FIG.60 (I)
Publication Record
Heilmeyer, W-D., et al., Antikenmuseum Berlin, Die ausgestellten Werke (Berlin, 1988): 114, NO.1 (A)
Publication Record
Vierneisel, K., and Kaeser, B. (eds.), Kunst der Schale, Kultur des Trinkens (Munich, 1990): 45, 180, 281, 334, FIGS.3.20, 29.5, 45.2, 56.18A-B (A, I)
Publication Record
Reinsberg, C., Ehe, Hetarentum und Knabenliebe im antiken Griechenland (Munich, 1989): 97, FIG.45 (I)
Publication Record
Schafer, A, Unterhaltung beim griechischen Symposium (Mainz, 1997): PL.28.2 (I)
CAVI Collection
Berlin 2309.
CAVI Lemma
RF cup. From Capua. Dokimasia Painter.(1) First quarter fifth. *FurtwBeschreibung 2309. ARV(2) 373/46, 1649, 1701, Para. 366, 372, Add.(2) 226.(1) K. Vierneisel and B. Kaeser, eds., Kunst der Schale: Kultur des Trinkens (1990), fig. 45.2 (Int.).
CAVI Subject
Int.: man vomiting, assisted by a boy. A-B: komos: A: under one handle, man with an amphora; youth; two youths at a large krater; girl flautist; man dancing; youth; youth under a handle. B: man with a lyre and man dancing; youth with flutes, man, youth; two men.
CAVI Inscriptions
Nonsense: imitation: Int.: very widely spaced, in a circle around the figures: seven hasty letters, among them Λ twice. A-B: small imitation letters strewn over the scenes, especially Λ, Υ, Ν.(2)
CAVI Comments
Done from Furtw.'s text.
CAVI Footnotes
(1)attributed to the Brygos Painter in ARV(2) 373/46, but on p. 1649 said to be close to him, but perhaps by the Dokimasia Painter; in Para. 366 and 372 definitely attributed to Dokimasia Painter as [412]/11 bis. (2)upsilon V-shaped. |