![](https://img.index.hu/imgfrm/4/8/5/9/THM_0000534859.jpg)
Vase Number
205092
Fabric
ATHENIAN
Technique
RED-FIGURE
Shape Record
CUP
Provenance
ETRURIA, CERVETRI
Date
500 BC to 450 BC
Inscriptions
Kalos/Kale: HIPODAMASKALOS
Inscriptions
Signature: DORISEGRAPHSEN
Attributed To
DOURIS by SIGNATURE
Decoration
I: YOUTH AT LAVER, STOOL, STAFF, SPONGE AND ARYBALLOS SUSPENDED
Decoration
B: (continued) LYRE AND WRITING TABLET SUSPENDED
Decoration
A: EDUCATION, DRAPED MEN SEATED, ONE WITH STAFF, ONE WITH SCROLL WITH INSCRIPTION, YOUTHS, ONE DRAPED,
Decoration
A: (continued) ONE SEATED WITH LYRE, CUP, PIPES CASE, SCROLL, LYRE AND BASKET SUSPENDED, MAN SEATED PLAYING LYRE
Decoration
B: EDUCATION, SEATED MAN WITH STAFF, SEATED YOUTHS, ONE WITH WRITING TABLET, ONE PLAYING PIPES, DRAPED YOUTH, SCROLL,
Current Collection
2: Berlin, Antikensammlung: F2285
Previous Collection
1: Berlin, Schloss Charlottenburg: F2285
Publication Record
Atti del Convegno di Studi sulla Magna Grecia: 19 (1979) PL.3.2 (PART OF A)
Publication Record
Berger, E. (ed.), Parthenon-Kongress Basel: Referate und Berichte, 4. bis 8. April 1982, II (Mainz, 1984): PL.3.1 (A)
Publication Record
Moon, W.G. (ed.), Polykleitos, the Doryphoros, and Tradition (Madison) 1995: 26, FIG.3.2 (DRAWING OF A AND B)
Publication Record
Renfrew, C., and Bahn, P., Archaeology, Theories, Methods and Practice, 2nd edition (London, 1996): 176 TOP LEFT (DRAWING OF PART OF B)
Publication Record
Tiverios, M.A., Elliniki techni, archaia angaia (Athens, 1996): 156, FIGS.132-133 (COLOUR OF A AND B)
Publication Record
Corpus Vasorum Antiquorum: BERLIN, ANTIQUARIUM 2, 29-30, PLS.(1006,1007) 77.1-2, 78.1-4
Publication Record
Beazley, J.D., Paralipomena (Oxford, 1971): 374
Publication Record
Corpus Vasorum Antiquorum: BERLIN, ANTIQUARIUM 3, 19, PL.(1056) 127.1.5
Publication Record
Burn, L., and Glynn, R., Beazley Addenda (Oxford, 1982): 117
Publication Record
Das Altertum: 34 (1988) 3, 140, FIG.9 (B)
Publication Record
West, M.L., Ancient Greek Music (Oxford, 1992): PL.11 (A)
Publication Record
Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 91, FIG.83 (A)
Publication Record
Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 426, 431.48, 1653, 1701
Publication Record
Carpenter, T.H., with Mannack, T., and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 237
Publication Record
Blanck, H., Das Buch in der Antike (Munich, 1992): 24, FIG.9 (DRAWINGS OF A AND B)
Publication Record
International Congress of Classical Archaeology, 12, Athens, 1983. Praktika, 2-3 Tou XII Diethnous Synedriou Klasikes Archaiologias, Athena, 4-10 Sep: B, PL.37.1 (PART)
Publication Record
Knittlmayer, B. and Heilmeyer, W-D., Staatliche Museen zu Berlin, Die Antikensammlung, Altes Museum - Pergamonmuseum (Mainz, 1998): 80, NO.39 (COLOUR OF A)
Publication Record
Furtwangler, A. und Reichhold, K., Griechische Vasenmalerei (Munich, 1904-32): III, 87, FIG.43, PL.136.1 (A, B, I)
Publication Record
Heilmeyer, W-D., et al., Antikenmuseum Berlin, Die ausgestellten Werke (Berlin, 1988): 106, NO.2 (PART OF A AND B)
Publication Record
Buitron-Oliver, D., Douris, A Master-Painter of Athenian Red-Figure Vases (Mainz, 1995): PL.58, NO.88 (I, A, B)
Publication Record
Schulze, H., Ammen und Padagogen, Sklavinnen und Sklaven in der antiken Kunst und Gesellschaft (Mainz, 1998): PL.4.1 (A)
Publication Record
Archeologia, Rocznik Instytuto Archeologii i Etnologii Polskiej Akademii Nauk: 44 (1993) 121, FIG.3 (PART OF A)
Publication Record
Archeo, Attualita di Passato: 151 (SEPTEMBER 1997) 62 (DRAWING)
Publication Record
Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1585
Publication Record
Das Altertum: 23 (1977) 67 (A)
CAVI Collection
Berlin 2285.
CAVI Lemma
RF cup. From Cervetri. Douris. Python potter. First quarter fifth. 490-480. *FurtwBeschreibung, no. 2285 (facs.). Kretschmer, Vas. 104, para. 87. *FR iii, 87-90, pl. 136 (ext.); fig. 43 (int., after Mon. Ined.). *Imag(2)., pl. 11/22 (A, part). CVA, Germany 22, pls. 1 and 5 (small pictures). *Beazley, AJA 52 (1948) 337/2. ARV(2) 431/48 (much bibl.), 1653, Para. 374, Add.(2) 237 (much bibl.). *Classical Studies Ullman 18/1 (bibl. on book roll). Script 533. A.D. Booth, "Douris' Cup and the Stages of Schooling in Classical Athens," Echos du Monde Classique 29 (1985) 275-80. Robertson, AVCA 89 (description) and fig. 83 (B). *F. Lissarrague, The Aesthetics of the Greek Banquet, tr. by A. Szegedy-Maszak (1990; orig. 1987) 137-39, figs. 106a-b (ph. of A; sketch of seated man holding inscribed book roll). *D. Buitron-Oliver, Douris (Kerameus 9, 1995) 23-24, 45, 78/88, pl. 58.
CAVI Subject
Int.: athlete taking off his sandals; with clothes, and higher up, sponge and aryballos; on his right, his stick; standed basin. A-B: school scenes.(1)
CAVI Inscriptions
Int.: at left, starting above the cothes and running along the margin, ending above the youth: Δορις εγραφσεν. Ext.: below the top margin, widely spaced: A: h ιπποδαμας καλος. On the book roll: Μοισα μοι ανφι Σκαμανδρον ευρΩν αρχομαι αει ν δεν. vac. B: h ιπποδαμας [κα]λος.
CAVI Comments
ευρΩν = ευρουν, omega for ou. The nu in the last line may be that missing in line 2 (Class. Studies Ullman 19, n. 1). Dotted delta and tailed rho. Lissarrague gives a different text for the book roll, after F. Chamoux, `Un vers mal lu,' Rev. Philol. 1970, 7-10, and C. Calame, in La part de l'oeil 5 (1989) (forthcoming) (see L., n. 42): moisa moi askamandron on archomai aeide`Muse find for me on the banks of the Scamander a place to start my song'. I.e., Μοισα μοι αμφι Σκαμανδρον εφευρ ων αρχομαι αειδειν. This makes a single hexameter of the quotation, but I doubt that it is right, as it involves a major error.
CAVI Footnotes
(1)note that B (music instruction) has hanging on the wall a rolled and bound-up book roll and a tied-up set of tablets. |