Frame 352 (Verified Frame Count VFC-354) of the Patterson–Gimlin film and the face of Bigfoot (affectionately called "Patty") has been digitally enhanced to improve clarity in this one frame. The original Patterson–Gimlin footage was shot in 1967 in Northern California and has never been successfully refuted or debunked. This film is accepted as one of the proofs of the existence of Bigfoot by most enthusiasts.
Stephen is also a visual artist, and has exhibited work throughout the U.K.
He works with a variety of sound media, with a particular focus on sample manipulation, field recording and distortion.
The Sunken Meadow is Stephen‘s fifth release.
In this album he explores ideas around environmental decay. He predominantly uses tape as his medium. The mechanical whirring and the degradation of the audio helps to draw attention to the fragility of the environment and our relationship to it.
Many moons ago all those tracks and albums were coming out and everything was exciting. Being young and free.
#bubblekru, let's re-live those moments!
Classics Project Unison & Colmic Zeus by label co-founder Metamatics, both released in 2000, are here together for the first time as ONE! How it was supposed to be. Re-Mastered and available on Double 10" and on Compact Disc!
This is a special '24 Re-joint for the Bubble Kru ✊🏼
So, here we are. Me and you, together in this very moment. Thank you for reaching this point. You make it all worth while. The music on this album, was written/recorded in the last 4 years. Everything ,except mastering, was done in my home studio in LA. To sculpt the atmosphere you are listening to I used various synths and efx. All hardware. Clicks & pops, mis-timed midi messages, live mistakes and other things :) It’s all on it. For few good reasons. It’s how the hardware I own, sounds. It’s how I play my instruments, sounds. From the computer that records the audio to the end of the FX chain.
The machines have character. I hope their character gets delivered to your ears with these recordings.
Instruments: Novation Summit, BC Deckards Dream MKII, Roland Juno 106, Roland JX-3P, Yamaha DX7, Jomox Alphabase Drum Synthesizer, Custom Eurorack System, Coffee. FX: Strymon Big Sky/Timeline, OTO Machines BIM/BAM/BOUM, Hologram Electronics Microcosm, TC Electronics Hall Of Fame 2/Helix Phaser, Coffee. Recording Hardware: PC Desktop/Windows 64 bit, Quad Core 4.0 MHZ, 32 GB RAM, 5TB SSD Combined, MOTU 828es/16A/Midi Express, Furman Power Conditioner, Roland Gold Instruments Cables, Coffee. Recording Software: Reason 12, Coffee.
The boxset contains the 4xLP in printed sleeves, a fold out poster, sticker sheet and booklet featuring development sketches by designer Paul Nicholson. Housed in a hinged oak case, with a bespoke etched copper plate.
These are made to order, with no two copies the same.
The boxset pre-order closes at 10am BST, Monday 24 June."
60 minutes Metamatics blend mixed by Dokun showcasing the best tracks from Metamatics. This is a wonderful mix ideal for the car and summer BBQ. Get it on!!!
🛈 I thought it was funny word play on the famous sentence (at least used a lot here) "London, Paris, Rome" and instead use cities I've played live at and then also my hometown. I played live in Leipzig at two gigs in 2013 and enjoyed the city. Was there for 3-4 days and walked all around listening to Biosphere, Global Communication and Biogen. So thinking back, when writing this album, I choose to open with Leipzig, since the spirit in the tracks are inspired from artists like them. I played with my Möller Records friends in Belfast in 2016 and I loved the city. The vibe was so chilled and the people reminded me of people from home. And I always dreamed of playing there, or just even visiting, after loving Belfast by Orbital since I was young. So there comes the name. Music written on D-05, Neutron, TX81Z and Akai S3200. First released 2019 on Möller Records. Re-released 2021 on Neotantra with 2 extra tracks. This is the Neotantra version with the updated Möller c over 🪐
🛈 ReBirth tracks I wrote in my hometown Tálknafjörður when I was 14-16 years old (98-00). I used ReBirth to it's fullest and knew the software inside and out. Simple music maybe, today, but still heavy proud of those tracks. Thanks to Propellerheads, Niclas Lundqvist, Peff, Jackplug, Jesuspark & Jónas ⚠️Includes trance (I loved it back then) 🪐
Personal note from me, Futuregrapher, as an artist, label boss and a collector. This here is one of the best albums I have heard in a while. Absolutely something that would have been part of the Artificial Intelligence (series) from Warp. But here we are, in the future, still loving this kind of sound - and Móatún 7 is the new home for all the Electro-Soma people around the world. From the Soul is from the heart. Will be on 12" transparent lathe cut. Enjoy!"
With Death of Mishima, 祭司 takes a radical turn in his project. The root of vapor inspiration is still there, but they are no longer sampled songs, but pieces composed by me, searching for a long time for the right synthesizer that evokes the right sound. While I was composing I had various images in my head. I thought about the rain scene from Lost in Translation on repeat. But also to the madness hidden behind the beautiful and luminous mirrors that make up the great dystopian cities of our time and the future.
Oh Shuper Birthday 🎂 10" number 40 🏴☠️ Ooh wow!!!
& then we have a GREAT full length album from Fluffy Inside.
Acid, Ambient, Techno ⚫ absolutely lovely stuff. Comes in 💿 and as 12" transparent (first in two years at Bubble): But I select those (can only be few a year - and most go on Móatún 7) - but I wanted this in my collection as twelve inch
Then it's Anthurium 003 by Deeb! His Anthurium series is up to magical number 3. Comes in 10" -- all tracks on it except the ambient intro track
Oh Shuper 040 includes a mix I did for my friend and techno legend LaFontaine (and my little bro in music!!). It's called Svefnleysi (Futuregrapher MIx).& this Oh Shuper is dedicated to my BIG bro in music Metamatics
Real proud of that Svefnleysi mix! Very raw electro with ambient textures on top and the usual 💾 of some conversation with old Icelandic farmers. This time it's the "Jói" sample - but LaFontaine real name is Jóhannes and he is called Jói (like my son) and like one of my best mates (Jói from Epic Rain/Ghost Choir/Dalalæða)
That's why I always say "Jói's are the best" ❤️
(My father was Jói as well)
Jóhannes - a name many of us know in many versions - from all around the world, since thousands of years ago
Just wanted to say a big thank you to everyone who helped support my latest EP Epocha and those who attended the listening party. I’ve really enjoyed hosting these and it was great to chat with some of you.
This is my last involvement as head of Neo Ouija and i find it fitting that this release is a history lesson for myself to acknowledge all the fine music I have released on Neo Ouija over 24 years.
The compilation is free for a few days.Enjoy it..
Neo Ouija will be under new management from the summer.Lots to look forward to... Due to my time taken looking after Dana it is time for me to step away. Thanks to everyone who has shared the Neo Ouija journey with me.
My good friend and fellow electronic producer from Iceland, Gunnar T. aka Xylic, just released his first album for my label Móatún 7. To me - this is a wonderful piece of art - and you should take your time and download a copy of it today and enjoy it yourself. Great music. All written on the modular system at the Xylic facility.
Funny fact: his first release on Móatún 7 was on the 7" split #MOA035 and this is #UMFT035 so 35 is his number here it seems
